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Classic Review: "Slumdog Millionaire", 2009 (Brett)


"Slumdog Millionaire", 2009

*Originally posted by Brett*

Alright.

So I know I said the next movie I would write about is "Taken." But,
damn it, it wasn't playing anywhere I was willing to walk to on a wet
Sunday afternoon. So, I figured, might was well go see THE BEST
PICTURE of 2008 as voted upon by the illustrious(?) Academy.

Now, I read the book that this film was based on about four years ago
or so. Title of the book is "Q & A" by Vikas Swarup. The book was
average, at best - mostly forgettable. There seemed to be a negative
view of gays in the narrative undercurrent (the majority of heels in
the book had homosexual tendencies) so I was kind of put off by that.
There wasn't much emotional impact nor any reader connection to the
characters. Maybe because they are Indian and I'm an ignorant American?

As for the movie? Well, they pretty much took the structure and
concept from the book, but completely reworked the narrative, which
was a good thing. They did re-use some of the more interesting setups
and scenarios, but largely, the character motivations and stories were
modified to put a stronger theme on romantic relationships and
troubled family bonds.

Real quick synopsis - Game show scenario of "Who Wants to be a
Millionaire" is used as a device to narrate a biography for a young
man from the shanty town life. Coming from an uneducated background,
the protagonist is accused of cheating and must explain how he knew
the answers to the questions. Each question directly relates to a
pivotal moment of his life-so-far. Oh yea, of course, the reason why
he's on the show is to gain the attention of a woman. Damn woman -
always gotta go to crazy lengths for their attention.

Unfortunately, both book and film still share a lack of emotional
impact or viewer/character connection. For instance, I'm the biggest
pansy for a film. I break down and start weeping pretty easily during
a movie. But none of the emotional climaxes for "Slumdog Millionaire"
broke my eye levies. This film didn't leave an emotional impression
on me, it didn't haunt me. With that said, the film is still engaging
and entertaining. Danny Boyle still has the eye for style and
visual/audio excitement that worked so well for him with one of my
favorite films, "Trainspotting." For "Slumdog Millionaire", he took
to the cinema verite style of filmmaking, that the revolutionary
Cubans loved so much. Boyle and company shot pretty much guerrilla
style with real life destitutes in their environments. I give much
props for this move and appreciated this way more than the narrative
or acting.

So yea, the film is good, but best picture? Hmm, I have doubts. I
think this was another politically motivated Oscar win. Better films
have won the Oscar, and better films will win in the future. Worth
seeing though.

Beverage consumed while watching: small, black, decaf coffee

This film has:
-shit covered kid, and I mean *covered*
-real-life street urchins
-child eyeball burning
-Edinburgh/Scottish references (Boyle couldn't resist, now, could he?)
-MIA's "Paper Planes" (ugh, I'm sick of this song. Do Joe Strummer a
favor and listen to "Straight to Hell")
-stupid Americans who are used to using money to fix everything
-Bollywood style dance number

Next film.....THE WATCHMEN!




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WELCOME ya bastard. Now sit down and read.

So, here's the deal: This site is made of musings, reviews, shouts, creaks, rabble, babble, rumble and rambles from three permaPine House residents. I personally love these little reviews and I wanted to make sure there was a place that they can sit and twiddle their thumbs in the eternal ether of this gaping black hole we call the internet. However, I didn't want to shell out dime one, so hence the free Blogger site. The review rules were and are simple: Watch a movie, the more obscure the better, with a beer or at least some sort of caffeinated beverage. Review said movie. I love these little rambles and hope to add more in the future. Until then, trusty follower, read and be merry for you are a bastard and that's all there is to it. Mike