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“Mandy” 2018 (Mike)

So, I finally got around to watching “Mandy”. I left the film thinking it was beautiful and fresh and something pretty new (at least in style). However, like the descent into hell that Nicolas Cage endeavours, the closer you look the more messy it seemed to get. . First impression, this film is metal. as. fuuuuuuuuck. I’ve seen Heavy Metal. I’ve seen Beastmaster. I’ve seen Conan. I’ve seen Valhalla Rising. I’ve seen Faces of Death. But, I don’t think any of those hold a black candle to the fucking way this movie rocks. Forging chrome axes. Hellscapes draped of craggy mountains, backed by twin mooned planets straight off a Yes album cover. Red light that would make Argento blush. You just want to crush beers and finger wicked riffs. You want to fucking slay beasts and busty women alike. I was very impressed how it seemed to just wade in these dark waters so effortlessly. I’ve never totally bought in to the recent Nick Cage fanboy lovefest. However, I thought he played h
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Ye Olde Bastards Halloween Round Up 2018 (Mike)

A shadowy figure in a hooded cloak moves quietly between the gravestones. A misty slither of fog hangs lightly above the overgrown weeds of the once well-trodden cemetery grounds. The figure stops amidst an above ground tomb. Removing a crowbar from somewhere within the cloak, the figure begins to pry at the ancient, heavy stone slab that lays atop the tomb. With great effort the stone slab begins to slide glacially across the top of the tomb. The innards of the ancient grave are too dark to see within. A withered, broken grin is revealed across the face of the figure in the cloak. He removes a curved silver dagger, gripping it in the hand opposite the torch. Throwing back his head he shouts to the vast vacuumed starlight in a long-dead tongue. Raising the dagger, he plunges it deep into his chest, cackling madly as he moves to set himself ablaze with the torch. A bloodied, cackling, ball of flame collapses upon the lid of the cracked tomb. A thin stream of boiling blood runs from the

Classic Review: "Watchmen", 2009 (Brett)

" Watchmen", 2009 *Originally posted by Brett* Yep, so I watched The Watchmen. HAHA! Get it! Damn, I'm witty. My initial reaction was that the movie is good, but not amazing. Let's use a baseball analogy! The movie was a solid line drive for a double, no RBIs and definitely not a home run. Some scenes worked, and worked really well! ex: Jon's visit to Mars, Antartic Confrontation(s), and anything with Rorschach in it. The film had a good flow - keeping close to the structure of the book. Furthermore, the detail or the care put to the mise-en-scene was awesome! Some scenes didn't work, in fact they were down right awful/awkward. ex: Janey Slater cancer reveal, and Archie sex scene. Furthermore, the choices of popular music used in the film was really bad - too distracting and self-referential. I found myself taken out of the movie whenever they played some awkwardly place song in the soundtrack. Should have just kept to a modest original score, perhaps? Over al

Classic Review: "Slumdog Millionaire", 2009 (Brett)

"Slumdog Millionaire", 2009 *Originally posted by Brett* Alright. So I know I said the next movie I would write about is "Taken." But, damn it, it wasn't playing anywhere I was willing to walk to on a wet Sunday afternoon. So, I figured, might was well go see THE BEST PICTURE of 2008 as voted upon by the illustrious(?) Academy. Now, I read the book that this film was based on about four years ago or so. Title of the book is "Q & A" by Vikas Swarup. The book was average, at best - mostly forgettable. There seemed to be a negative view of gays in the narrative undercurrent (the majority of heels in the book had homosexual tendencies) so I was kind of put off by that. There wasn't much emotional impact nor any reader connection to the characters. Maybe because they are Indian and I'm an ignorant American? As for the movie? Well, they pretty much took the structure and concept from the book, but completely reworked the narrative, which was a go

Classic Review: "Coraline", 2009 (Brett)

"Coraline", 2009 *Originally posted by Brett* So apparently, Henry Selick is growing tired of goth. After two movies celebrating goth sensibilities with childlike glee, he must have asked himself, "What do I do next?" So Henry, like a true artist, decided to evolve and advance his creative endeavors to a new challenge - the stylistic glamour of EMO! Coraline is actually a pretty damn good movie. The protagonist namesake has mommy/daddy issues, "They don't pay attention to me!" (like a good pre-pubescent emo should). Fortunately for her, she finds a magic hole in the wall that takes her to a world mirroring her own except it's everything she ever hoped for - family love, home cooked meals, and all that bullshit. But is everything as good as it seems?! BWA HAHAHAHAH! *cough* I wouldn't be surprised if Henry Selick was raised on Edward Gorey stories. He definitly can't stay away from the macabre. Add in Neil Gaiman, and a dash of Lewis Caroll,

Classic Review: "Body of Lies", 2008 (Mike)

"Body of Lies", 2008 Leonardo has a bad beard. Russell Crowe is fat. The CIA does some stuff. Mike learns to just say "No' if Mary's mom asks if they want to borrow a movie she rented ("It's intense!") Watched while violently consuming a bottle of sake. Here, this should make up for all this:

Classic Review: "Naked", 1993/ "After Hours", 1988 (Vince)

Naked", 1993/ "After Hours" 1988 *Originally posted by Vince* I already know no one will watch "Koko: A Talking Gorilla" so I tried to think of a film that someone would actually watch. I recommend 2 films, both of which take place deep into the night & add a certain grimyness to the proceedings. 1) Naked (1993) by Mike Leigh & 2) After Hours (1985) by Martin Scorsese. Both of them are episodic. Both could seem to lack a meaning while watching (or after for that matter). Both deal with sad lonely people. Out of the two, NAKED is the one that will make you feel shitty afterward. I will quote the All Movie Guide as I can't write anything better: "Both hailed and criticized for its bleakness and its basically brutal treatment of women, Naked is an intensely powerful and disturbing motion picture experience. Director Mike Leigh is making a pull-no-punches statement about late 20th century Britain, specifically about the manner in which social syste